Tag Archives: double chin

What’s that noise? It’s the Yeastie Boys!

The Yeastie Boys of New Zealand have been around for a little while now with their multi-multi-multi award-winning Pot Kettle Black Black IPA, but have recently become a lot more prominent, due to a nice little agreement with Brewdog to brew three of their most popular beers for them up in Aberdeenshire (the rest are still coming out of New Zealand -it will say on the bottle). The Scottish beer-lords have previously done something a little similar with Mikkeller, but gained exclusive import and distribution rights rather than a brewing arrangement. While the demand of Mikkeller rose sharply, no doubt because of the massive publicity that any association with Brewdog brings, I can see this partnership being even more lucrative.

Prior to 2015, Yeastie Boys’ Digital IPA was a highly rated 7% beer. It’s now been taken down a notch or two to a more widely-palatable 5.7%. It’s probably a smart business move, and I could see it becoming the “new” Punk IPA. To have a commercially-viable beer is a good way to gain ground, especially if you’re putting it out there in somewhere like Brewdog -a place that you know will have decent beer, but also has something to cater for your Heineken-drinking mates. Yes, it’s a nice little IPA, but there isn’t really much else to say about it. Something of a decent quality to have a few of and not pay much attention to.

Stairdancer is their 4.4% Pacific Ale. I don’t want to be lazy, but it’s a little more of the above. The label describes it as a “lawnmower beer” and I think that’s pretty accurate. It’s got a good malty flavour to it, and is very refreshing, but it falls a little flat at anything more.

I always like a bit of an odd beer, and so I was looking forward to having Gunnamatta, their Earl Grey IPA. I’ve always been interested in teaspired beers since Fyne Ales did a limited edition green tea beer, which was lovely. I don’t recall ever having had Gunnamatta, and I wasn’t disappointed. It’s got a lovely floral, fruity flavour, which develops into the tea notes at the end. I don’t think it’s one for everyone, but I like that. Not everyone has to like everything you brew.

A few years ago, around 2011, Dark Star ran their anti-Hophead campaign. It was to encourage people to not drink their own beer, because they had so many other fantastic, not-just-another-IPA beers. I can’t actually find anything pertaining to the exact logic behind it and I’m just relying on my own memory, because it seems to have been deleted from their archives. On one hand, I feel like something similar should be encouraged against the overload of 4-5.5% pales currently that are often indistinguishable from one another. On the other, the influx of DIPAs from the likes of Cloudwater v2 and the upcoming v3, the aforementioned Beavertown Double Chin and Skull King and BBNO 55/01 are more than making up for it. I guess I’ll settle.

Advertisements
Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Tinnies – Part Two.

 

Beavertown recently celebrated their 4th birthday. They threw a much discussed birthday bash, and brewed their latest addition to their Barbarian Series – a collection of limited edition double and triple IPAs. A collaboration last year with Boneyard resulted in the first beer of this collection, Power of the Voodoo: an outstanding triple IPA, and one of my favourite beers of 2015. Naturally, I was very excited to get hold of Double Chin, a double version of Neck Oil, their very first beer.

I know I’ve said it several times, but the can is literally a piece of art. It’s a beautiful vessel for a beautiful beer. The complex blend of 7 different hops lends it a tropical, fruity flavour and at 8.5%, it packs a punch. It’s a wonderfully balanced brew, and I’d highly recommend it, if you can get hold of a can. Two wishes for Beavertown: 1) Make this is a permanent addition. Actually, throw Voodoo in, too, while you’re at it. 2) I want this as framed artwork.

Fine. I’ll stop talking about the damn can now…

Moving on.

Mosaic hops are my favourite, and so I chose a can of Bibble by Wild Beer Co. purely for that. It’s a session IPA, coming in at an easy 4.2%. “Bibble” apparently means “to drink regularly” in Somerset, and I can see where they’re going with that. It’s not a statement beer by any stretch, but one you could knock back without trouble.

Grapefruit. Seems to be everywhere. I tried the Magic Rock offering in the form of High Wire Grapefruit a little while ago. Lovely, as can be expected from Magic Rock, but subtle. I picked up a bottle of Siren‘s Pompelmocello, which was nice, but the grapefruit lending more of a sourness to the IPA than really hitting home. I’ve always liked Brewdog, and so was intrigued by their take on it: Elvis Juice.

My God. The smell of the stuff. It’s amazing. There’s certainly no question about the grapefruit notes. I personally like it, but then I love grapefruit. It’s more about the fruit than the beer itself, which I think is where it would be unfavourable to some beer drinkers. It’s certainly refreshing, and stupidly easy to drink. At 6.5%, that could start being a problem for some. As for the name? Who knows.

Tagged , , , , , , , , , , , , , , ,
Advertisements